from our friends at ClimateCultures:

Hanien Conradie: Attending to muse and nature in lockdown

What does it take for distracted creatives to surrender to the cries of their muse’s desires? For some it is simple, they hear, they listen and they translate through making. But some of us academically trained artists scold the muse for her infantile ideas, her need to play and her seemingly inconsistent barrage of desires. And then there are some of us who ignore her voice year after year…

In my practice I work in locally found natural pigments and burnt plant material as part of an expression of climate change and my concern with loss as we head toward a Sixth Mass Extinction. The global ecological anguish and my personal heartache inform the colour palette of my work: earthy ochres and monochromatic black paintings. Black, as a colour of grieving in the West, is also a colour that represents infinite creative potential and has become more and more prominent in my films, my ritual work and my paintings.

Read the article at ClimateCultures

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