somewhere-nowhere news…
from our friends at somewhere-nowhere: ==== It has been a while since our last newsletter, mostly because we’ve been juggling quite a few things! It’s as if 2020 embraced a whole series of pauses, or extended in-breaths, with plans being laid; and now in...
living language land
from our friend Philippa Bayley: living-language-land is a journey through endangered and minority languages that reveal different ways of relating to land and nature. We’re sharing 26 words in the run-up to COP26 to give a global audience fresh inspiration for...
Fruit Full (art & science)
from Françoise Sergy: You may remember about Fruit Full, an art and science project exploring fruits versus sugar. It has now got its own website, showing the complete project in a lot of details, with images, texts, audio recordings and information: ...
Sarah Gillespie Moth exhibition
from our friend Sarah Gillespie: September has come, it is hers,Whose vitality leaps in the autumn,Whose nature prefersTrees without leaves and a fire in the fireplace.Louis MacNeice Moth exhibition at Kestle Barton Dear Friends,September has come around and I am...
Kate Walters open studio
from our friend Kate Walters: I’m writing to let you know that I’ll be doing Open Studios this year, and it would be great to see you… There will be archive boxes with watercolours inspired by Shetland; drawings, monotypes and mixed media pieces...artdotearth
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Borrowed Time, on death dying & change is a gathering of disparate voices from across the globe from Oct 31-Nov 3. This is a celebration of #life, embracing all of its messy joys and travails. Join us! booking is open now until tickets run out at t.co/VMW73Hf44e t.co/4Vx2sRTAHc![]()
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— art.earth (@artdotearth)![]()
Oct 24, 2021
mobile.twitter.com
“Borrowed Time, on death dying & change is a gathering of disparate voices from across the globe from Oct 31-Nov 3. This is a celebration of #life, embracing all of its messy joys and travails. Join...
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‘Every splotch of ink is become to me a fresco of wisdom, a beehive of honey, a lovely place – and every aching voice a heavenly choir.’ @BayoAkomolafe keynotes Borrowed Time symposium Oct 31. Book now at t.co/VMW73Hf44e t.co/yaSFW3I8wT![]()
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— art.earth (@artdotearth)![]()
Oct 24, 2021
mobile.twitter.com
“‘Every splotch of ink is become to me a fresco of wisdom, a beehive of honey, a lovely place – and every aching voice a heavenly choir.’ @BayoAkomolafe keynotes Borrowed Time symposium Oct 31...
Call for participation (deadline November 15)![]()
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Sentient Performativities: thinking alongside the human July 4-7, 2022![]()
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The 2022 art.earth symposium investigates somatic practices and how they can foster embodied ecological awareness and communication between the human and other than human worlds. Traditionally somatic practices are most pertinent in dance and movement disciplines, rooted in the humanist perspective and primarily focusing on emancipating introception (the body as experienced from within). Current thinking suggests that such practices, while having the human self at the centre, can also highlight the reciprocal relationship between the self and the environment. Sentient Performativities: Thinking Alongside The Human will revisit our entanglement with the natural world from a felt perspective and bring together multiple fields of thought, practice and research that share embodied approaches to bridge the human, plant and animal divide. ![]()
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As with all art.earth symposia, we invite a broad spectrum of practitioners, fields and disciplines into an open space where we can explore common interests and diverse practices. Such diversity also encourages new approaches, multifaceted formats and modes of presentation. ![]()
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This broad reach into somatic-informed practices seems increasingly essential in view of the growing schism between the human and natural worlds. We invite you to articulate how you viscerally experience the agency of all living things. Reflecting on the emergence of new practices we are interested to both highlight as well as de-centre somatic work from dance and movement disciplines to see how a somatic approach is reaching into other practices.
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Hayley Harrison’s work considers the limitations of the human experience, language and our struggle to avoid being human-centric. If you could talk to plants and trees what would you ask them? Join her at First Friday Nov 5 t.co/JrTRA9gr1D @HarrisonHayley @DartingtonArts t.co/VToOfAcyIw![]()
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— art.earth (@artdotearth)![]()
Oct 24, 2021
mobile.twitter.com
“Hayley Harrison’s work considers the limitations of the human experience, language and our struggle to avoid being human-centric. If you could talk to plants and trees what would you ask them? Jo...
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