Tina Scopa in Aperçu
There is a lovely interview in the online magazine Aperçu with former artist of the month Tina Scopa. The interview is by Rosie Bally who says: We are so delighted to be interviewing Tina Scopa, an Edaphic plant artist based in Fife, Scotland. She has such an organic,...
Sense of Here (presentation)
Dear all Our friends Rob & Harriet Fraser recently presented as part of the ‘Sense of Here’ series hosted by Grizedale Forest and the Royal Geographic Society. Once you’ve worked through the rather lengthy marketing bit at the beginning...
My work selected for Photo Fringe OPEN20
‘Illuminations’ created by Rachael Mellors and Pete Hudson is selected for Photo Fringe OPEN20 MOVING IMAGE Photo Fringe OPEN20 Moving Image is a showcase of short moving image works from ten artists selected from an international open call. Answering the festival’s...
Drawing the Hidden River
Ann-Marie Fairbrother is naturally a phychogeographical adventuress having studied a BSc(hons) Geography before joining an artist’s collective with a recycling and community centred ethos, she has a deeply informed understanding of ecology and landscape and has been...
IMMINENT – new zine
from Jo Dacombe: I am delighted to announce the launch of Imminent, a new zine publication that I have produced, now available. Imminent is a collection of words and images by contemporary creative writers and artists around the UK. I invited creative people who I...artdotearth
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Borrowed Time, on death dying & change is a gathering of disparate voices from across the globe from Oct 31-Nov 3. This is a celebration of #life, embracing all of its messy joys and travails. Join us! booking is open now until tickets run out at t.co/VMW73Hf44e t.co/4Vx2sRTAHc![]()
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— art.earth (@artdotearth)![]()
Oct 24, 2021
mobile.twitter.com
“Borrowed Time, on death dying & change is a gathering of disparate voices from across the globe from Oct 31-Nov 3. This is a celebration of #life, embracing all of its messy joys and travails. Join...
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‘Every splotch of ink is become to me a fresco of wisdom, a beehive of honey, a lovely place – and every aching voice a heavenly choir.’ @BayoAkomolafe keynotes Borrowed Time symposium Oct 31. Book now at t.co/VMW73Hf44e t.co/yaSFW3I8wT![]()
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— art.earth (@artdotearth)![]()
Oct 24, 2021
mobile.twitter.com
“‘Every splotch of ink is become to me a fresco of wisdom, a beehive of honey, a lovely place – and every aching voice a heavenly choir.’ @BayoAkomolafe keynotes Borrowed Time symposium Oct 31...
Call for participation (deadline November 15)![]()
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Sentient Performativities: thinking alongside the human July 4-7, 2022![]()
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The 2022 art.earth symposium investigates somatic practices and how they can foster embodied ecological awareness and communication between the human and other than human worlds. Traditionally somatic practices are most pertinent in dance and movement disciplines, rooted in the humanist perspective and primarily focusing on emancipating introception (the body as experienced from within). Current thinking suggests that such practices, while having the human self at the centre, can also highlight the reciprocal relationship between the self and the environment. Sentient Performativities: Thinking Alongside The Human will revisit our entanglement with the natural world from a felt perspective and bring together multiple fields of thought, practice and research that share embodied approaches to bridge the human, plant and animal divide. ![]()
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As with all art.earth symposia, we invite a broad spectrum of practitioners, fields and disciplines into an open space where we can explore common interests and diverse practices. Such diversity also encourages new approaches, multifaceted formats and modes of presentation. ![]()
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This broad reach into somatic-informed practices seems increasingly essential in view of the growing schism between the human and natural worlds. We invite you to articulate how you viscerally experience the agency of all living things. Reflecting on the emergence of new practices we are interested to both highlight as well as de-centre somatic work from dance and movement disciplines to see how a somatic approach is reaching into other practices.
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Hayley Harrison’s work considers the limitations of the human experience, language and our struggle to avoid being human-centric. If you could talk to plants and trees what would you ask them? Join her at First Friday Nov 5 t.co/JrTRA9gr1D @HarrisonHayley @DartingtonArts t.co/VToOfAcyIw![]()
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— art.earth (@artdotearth)![]()
Oct 24, 2021
mobile.twitter.com
“Hayley Harrison’s work considers the limitations of the human experience, language and our struggle to avoid being human-centric. If you could talk to plants and trees what would you ask them? Jo...
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