A virus that infects all other areas of thinking  

In the 1970s and ’80’s the poet Ted Hughes and the sculptor and printmaker Leonard Baskin worked together on a number of books of illustrated poetry. Among these, their first collaboration, Crow, trailed by its lesser-known sequelCave Birds, quickly became iconic. Already a household name in the States, Baskin remarked ruefully at the time that his reputation in England rested almost solely on having illustrated the cover of Crow.

What was it that made Crow so contagious an image? Among the ways we might run with that question, I want to suggest here that what we meet staring back at us from Crow’s ponderous, guilty face may include a burgeoning sense of unease, or dislocation, that the writer Timothy Morton, some 40 years later, has spoken of as ‘the ecological thought’.

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The Dark Mountain Project is a network of writers, artists and thinkers who have stopped believing the stories our civilisation tells itself. We see that the world is entering an age of ecological collapse, material contraction and social and political unravelling, and we want our cultural responses to reflect this reality rather than denying it.

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